13,305 Free Images of Hand Colored

yale center for british arthand-coloredetchings in the yale center for british artetchingaquatint prints in the yale center for british artaquatintjames gillrayromanticismthomas rowlandsonhand-colored etching
Plate 7, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 16, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Attractive surprise long
backgroundbusiness
Character cheerful child
vegetablescharacter
Villa, Gabriel Lory, 1811
prints in the national gallery of art (washington, d.c.)aquatint prints
Cottage and Two Cows Being Milked, Thomas Girtin, 1805
etchings in the yale center for british artthomas girtin
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas), James Gillray, 1791
aquatint prints in the yale center for british artjames gillray
The Welsh Sailor's Mistake, or Tars in Conversation, Thomas Rowlandson, 30 June 1808
george moutard woodwardromanticism
Abyssinian Parrakeet (Plate 39), Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
View of the Front of the New Public Buildings, Guildford, Robert Havell senior, 1819
aquatint prints in the yale center for british artrobert havell
Who'll Have a Crown - Now's Your Time, William Heath, 1830
etchings in the yale center for british artwilliam heath (artist)
Waiting Room at the Admiralty--.(No misnomer) - Plate 6, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791
etchings in the yale center for british artwilliam dent
Het-Hoog-en Hager-Huys van Engelandt. Coronation of the Prince of Orange, Romeyn de Hooghe
etchings in the yale center for british artromeyn de hooghe
The Gouty Merchant and Stranger. A Card Party., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Veue de St. James's Park pris de Rosamond's Pond, William Henry Toms, 1745
engravings in the yale center for british artwilliam henry toms
The Needless Alarm. A Smoking Party, Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Racing [set of six]: 1. Racing, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
The Old and New London Bridge, Edward William Cooke, 1830
engravings in the yale center for british artpaintings by edward william cooke
Veue de St. James's Park pris de Rosamond's Pond, William Henry Toms, 1745
engravings in the yale center for british artwilliam henry toms
Coaching: Paris Diligence, Thomas Rowlandson, circa 1810
etchings in the yale center for british artromanticism
Exhibition Somerset House Tom and Bob, Henry Thomas Alken, 1821
engravings in the yale center for british arthenry thomas alken
Comforts of Bath, Plate 3, Samuel William Fores, 6 January 1798
the elisha whittelsey collectionsamuel william fores
Tarocchi, 1457
allegorical engravings in the cleveland museum of artitalian renaissance
The West Prospect of the Church of St. Barts the Great, William Henry Toms, 1737
engravings in the yale center for british artwilliam henry toms
None but the Brave deserve the Fair. Honour., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings, James Gillray, 1798
etchings in the yale center for british artjames gillray
A View of the Frigates Stationed in the Hope under the Command of the Elder Brethen of the Trinity House, Thames Estuary, William Daniell, 1804
aquatint prints in the yale center for british artwilliam daniell
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
Fox-hunting [a pair]: 2. Four O'Clock in Town, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Hunting, Shooting, etc. [set of four]: 4. Pheasant Shooting, Samuel Howitt, 1793
aquatint prints in the yale center for british artsamuel howitt
Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
The South Entrance of Duke's Place, John Thomas Smith, 1814
etchings in the yale center for british artjohn thomas smith (1766-1833)
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
John Bull Viewing Billy's Preparations for His Birthday, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest., James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Fox-Hunting [set of six]: 1. Going Out in the Morning, Thomas Rowlandson, 1787
aquatint prints in the yale center for british artromanticism
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's, James Gillray, 1797
aquatint prints in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
Hunting, Shooting, etc. [set of six]: 1. Duck Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Portrait of an Irish Chief; Drawn from Life at Wexford, James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
The Brazen Image Erected on a Pedestal Wrought by Himself, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Portrait of the Short Horned Bull Patriot, William Ward, 1810
mezzotint prints in the yale center for british artworks by william ward (engraver)
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Between Two Stools The Bottom Goes to the Ground, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Overthrow of Dr. Slop, Henry Bunbury, between 1773 and 1817
etchings in the yale center for british arthenry william bunbury
Dumourier Dining in State at St. James on the 15th of May 1793, James Gillray
etchings in the yale center for british artjames gillray
Fox-hunting [a pair]: 1. Four O'Clock in the Country, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Collared Parrakeet (Plate 40), Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
The Tree of Liberty, - With The Devil Tempting John Bull (Fox), James Gillray, 1798
etchings in the yale center for british artjames gillray
Fox-Hunting [set of six]: 6. The Dinner, Thomas Rowlandson, between 1787 and 1788
aquatint prints in the yale center for british artromanticism
Fox Hunting: Leicestershire - Full Cry, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Saki and Musquake Chiefs - *Maximilian of Wied* (1839), Karl Bodmer, 1832–1834
native americans in art by karl bodmerbarbizon school
Market Place at Cambridge, Thomas Rowlandson, 15 November 1801
prints by thomas rowlandson in the metropolitan museum of artromanticism
Market Place Santo Domingo, Pop Hart, 1924
prints in the metropolitan museum of artpop hart
Racing [set of four]: 3. Preparing to Start, James Pollard, 1821
etchings in the yale center for british artjames pollard
The Englishman in France. A Cold Duck., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Cupid's Magick Lantern, George Murgatroyd Woodward, 31 January 1797
the elisha whittelsey collectiongeorge moutard woodward
The Melton Breakfast, Charles James Lewis, 1839
stipple engravings in the yale center for british artcharles james lewis
The Angler's Going Out. The Pleasures of Angling., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Two of a set of six: 1. Pheasants Shooting, Robert Dodd, 1790
aquatint prints in the yale center for british artrobert dodd
The Favorite Cat, Nathaniel Currier, 1838–46
prints in the metropolitan museum of artnathaniel currier
Lobster Sauce. The Unexpected Visit., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Racing [set of six]: 4. Between Heats, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Fox-Hunting Sketches: No. 12. The Squire's Christmas Tip, Hablot Knight Browne
lithograph prints in the yale center for british arthablot knight browne
Conjugal Felicity in High Life, Charles Williams, 1819
etchings in the yale center for british artcharles williams (caricaturist)
Psittacula Swinderniana. Swindern's Parrakeet, Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
Mr. B seeking the Bubble reputation - Plate 5, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets, James Gillray, 1802
aquatint prints in the yale center for british artjames gillray
Le Roi Esclave on Les Sujets Rois Female Patriotism, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
The Little Green Man or the Bath Bugabo, or the Widows Terror, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Hunting, Shooting, etc. [set of six]: 1. "Grow ye Britons then", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Colonel Mordaunt's Cock Match at Lucknow, Richard Earlom, 1792
mezzotint prints in the yale center for british artrichard earlom
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
[Racing] Set of Four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
[Racing] Set of Four: The High Mettled Racer, Dean Wolstenholme the younger, 1817
aquatint prints in the yale center for british artdean wolstenholme jr.
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